358 Free Artworks of Pen And Brush And Red Ink

pen and brown inkmetropolitan museum of artbrush and brown washred chalkdrawings in the metropolitan museum of artblack chalkred and black chalkreligious drawings in the metropolitan museum of artbaroquebrush and gray wash
The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants, Federico Zuccari, 1540/41–1609
drawings by federico zuccarirenaissance,mannerism
The Immaculate Conception, Jusepe de Ribera, ca. 1640
collections of the cooper hewitt, smithsonian design museumbaroque
King David with Angels., Pier Francesco Mazzucchelli, circa 1625–26
drawings in the metropolitan museum of artdrawings by il morazzone
Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso), Marcello Fogolino, 1483–1548
drawings in the metropolitan museum of artmarcello fogolino
Studies of Fairies with a Pair of Hands (possibly representing the Opening of Pandora's Box), William Lock, 1784
drawings in the metropolitan museum of artwilliam lock the younger
Marcus Curtius Leaping into the Chasm (recto); Study of a Seated Crowned Female Figure (verso), Luigi Garzi, between 1638 and 1721
the elisha whittelsey collectiondrawings by luigi garzi
Two Warriors, One Standing, The Other Clinging to a Tree, Andrea Sacchi, between 1599 and 1661
drawings by andrea sacchibaroque
Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio De Ferrari, circa 1670–90
drawings in the metropolitan museum of artgregorio de ferrari
The Holy Family, Giovanni Battista Tiepolo, 1750–57
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
The Last Communion of Saint Jerome, Ludovico Carracci, between 1555 and 1619
drawings by ludovico carraccibaroque
Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio De Ferrari, circa 1670–90
drawings in the metropolitan museum of artgregorio de ferrari
The Holy Family, Giovanni Battista Tiepolo, 1750–57
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Studies for a Rest on the Flight into Egypt, Rutilio di Lorenzo Manetti, between 1571 and 1639
drawings by rutilio manettisienese school
Studies for a Rest on the Flight into Egypt, Rutilio di Lorenzo Manetti, between 1571 and 1639
drawings by rutilio manettisienese school
Apollo Bathing, Attended by the Nymphs of Thetis, Charles Le Brun
drawings by charles le brunclassicism,baroque
Allegory with Figures of Hope, Time, and Death, Sebastiano Ricci, between 1659 and 1734
drawings by sebastiano ricci in the metropolitan museum of artbaroque painting
A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar, Giovanni Battista Trotti, between 1555 and 1619
drawings in the metropolitan museum of artgiovanni battista trotti
A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar, Giovanni Battista Trotti, between 1555 and 1619
drawings in the metropolitan museum of artgiovanni battista trotti
Group of Nude Male Figures Kneeling and Standing in Supplication, Giovanni Baglione, circa 1598
drawings by giovanni baglionemannerism,baroque
St. Peter Baptizing Cornelius (Acts 10: 44-48), Laurent Pêcheux
drawings in the metropolitan museum of artlaurent pécheux
St. Peter Delivered from Prison, Polidoro da Caravaggio, between 1499 and 1543
drawings by polidoro da caravaggio in the metropolitan museum of artrogers fund
St. Peter Baptizing Cornelius (Acts 10: 44-48), Laurent Pêcheux
drawings in the metropolitan museum of artlaurent pécheux
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, Guercino, between 1591 and 1666
drawings by guercino in the metropolitan museum of artbaroque
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, Guercino, between 1591 and 1666
drawings by guercino in the metropolitan museum of artbaroque
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, Guercino, between 1591 and 1666
drawings by guercino in the metropolitan museum of artbaroque
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, Guercino, between 1591 and 1666
drawings by guercino in the metropolitan museum of artbaroque
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso), Domenico Gargiulo, 1612–75
religious drawings in the metropolitan museum of artdrawings by domenico gargiulo
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso), Domenico Gargiulo, 1612–75
religious drawings in the metropolitan museum of artdrawings by domenico gargiulo
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso), Domenico Gargiulo, 1612–75
religious drawings in the metropolitan museum of artdrawings by domenico gargiulo
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso), Domenico Gargiulo, 1612–75
religious drawings in the metropolitan museum of artdrawings by domenico gargiulo
Unidentified Subject: Figures before a Palace or Temple, Francesco Allegrini da Gubbio, 1624–63
drawings in the metropolitan museum of artfrancesco allegrini da gubbio
Unidentified Subject: Figures before a Palace or Temple, Francesco Allegrini da Gubbio, 1624–63
drawings in the metropolitan museum of artfrancesco allegrini da gubbio
View of the Campidoglio with the Statue of Marcus Aurelius, Hubert Robert, 1762
drawings by hubert robertpre-romanticism
Group of Nude Male Figures Kneeling and Standing in Supplication, Giovanni Baglione, circa 1598
drawings by giovanni baglionemannerism,baroque
Manuscript page with a Project for a Fountain (recto) and Project and Plan for a Monumental Staircase (verso), Luigi Vanvitelli, circa 1740–60
luigi vanvitellibaroque
Manuscript page with a Project for a Fountain (recto) and Project and Plan for a Monumental Staircase (verso), Luigi Vanvitelli, circa 1740–60
luigi vanvitellibaroque
The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), Giovanni Antonio Pellegrini, 1675–1741
drawings by giovanni antonio pellegrinijulius caesar with pompey's head
The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), Giovanni Antonio Pellegrini, 1675–1741
drawings by giovanni antonio pellegrinijulius caesar with pompey's head
The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), Giovanni Antonio Pellegrini, between 1675 and 1741
drawings by giovanni antonio pellegrinijulius caesar with pompey's head
The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), Giovanni Antonio Pellegrini, between 1675 and 1741
drawings by giovanni antonio pellegrinijulius caesar with pompey's head
Manuscript page with a Project for a Fountain (recto) and Project and Plan for a Monumental Staircase (verso), Luigi Vanvitelli, circa 1740–60
luigi vanvitellibaroque
Beheading of Two Male Saints, Giovanni Battista Tiepolo, between 1696 and 1770
prints by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Beheading of Two Male Saints, Giovanni Battista Tiepolo, between 1696 and 1770
prints by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
A young girl reads a letter aloud to an old man in a red frock coat, Wilhelm Marstrand
drawings by wilhelm marstrand in the statens museum for kunstdanish golden age
The Virgin Nursing the Christ Child, in a Glory of Angels (recto); Studies for seated figures of Christ and God the Father in red chalk (verso), Nicola Maria Rossi, between 1690 and 1758
religious drawings in the metropolitan museum of artnicola maria rossi
Christ Driving the Money Changers from the Temple, Frans Floris I, 1530–70
drawings by frans florisnorthern renaissance
Old Ship Model, Willem van de Velde the Elder
drawings of ships in the metropolitan museum of artdrawings by willem van de velde (i)
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, Federico Zuccari, 1576–79
drawings by federico zuccarirenaissance,mannerism
Drawing, The Immaculate Conception, ca. 1640, circa 1640
drawings in the cooper–hewitt, smithsonian design museumbaroque
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, between 1585 and 1644
drawings in the metropolitan museum of artgiovanni biliverti
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, 1585–1644
drawings in the metropolitan museum of artgiovanni biliverti
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, between 1585 and 1644
drawings in the metropolitan museum of artgiovanni biliverti
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, 1585–1644
drawings in the metropolitan museum of artgiovanni biliverti
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Gezicht op een haven bij een stadsmuur, RP-T-1888-A-1442, Willem Schellinks, between 1637 and 1678
landscape drawings in the rijksmuseum amsterdamdrawings of ports and harbours
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Centaur subdued by Cupid. Antique sculpture group. Two studies of Cupid, one seen from the right, the other from behind, Willem Panneels
drawings by willem panneels in the statens museum for kunstblack and red chalk
Drawing, St. Peter and St. Agatha, 1603–47, Pietro Novelli, 1603–47
pietro novellibaroque
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccari, 1529–66
drawings by taddeo zuccari in the metropolitan museum of artmannerism
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccari, 1529–66
drawings by taddeo zuccari in the metropolitan museum of artmannerism
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, between 1553 and 1626
drawings by cristoforo roncallimannerism
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, 1553–1626
drawings by cristoforo roncallimannerism
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, between 1553 and 1626
drawings by cristoforo roncallimannerism
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), Cristoforo Roncalli, 1553–1626
drawings by cristoforo roncallimannerism
Drawing, Study for The Ascension of the Virgin, 1650–85, Giuseppe Marullo, 1650–85
drawings from italy in the cooper–hewitt, smithsonian design museumgiuseppe marullo
The Virgin and Child Appearing to Saint Peter, Saint Damasus, and Saint Paul; the Martyrdom of Saint Lawrence in the Background, Federico Zuccari, 1566–68
drawings by federico zuccarirenaissance,mannerism
The Virgin and Child Appearing to Saint Peter, Saint Damasus, and Saint Paul; the Martyrdom of Saint Lawrence in the Background, Federico Zuccari, 1566–68
drawings by federico zuccarirenaissance,mannerism
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso), Giovanni Ambrogio Figino, 1548–1608
drawings in the metropolitan museum of artgiovanni ambrogio figino
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso), Giovanni Ambrogio Figino, between 1548 and 1608
drawings in the metropolitan museum of artgiovanni ambrogio figino
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso), Giovanni Ambrogio Figino, 1548–1608
drawings in the metropolitan museum of artgiovanni ambrogio figino
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso), Giovanni Ambrogio Figino, between 1548 and 1608
drawings in the metropolitan museum of artgiovanni ambrogio figino
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso), Giovanni Ambrogio Figino, between 1548 and 1608
drawings in the metropolitan museum of artgiovanni ambrogio figino
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso), Giovanni Ambrogio Figino, between 1548 and 1608
drawings in the metropolitan museum of artgiovanni ambrogio figino
Vrouw met ezel, schaap en hond, RP-T-00-2218, Pieter de Goeje, ca. 1789 - ca. 1859
pack donkeys in artpieter de goeje
Drawing, Design for Susanna and the Elders, 1660–1710, Luca Giordano, 1660–1710
drawings by luca giordano in the cooper–hewitt, smithsonian design museumbaroque
Madonna met Christuskind en Johannes-knaapje, RP-T-1946-85, Leonello Spada, between 1605 and 1622
italian drawings in the rijksmuseum amsterdamleonello spada
Drawing, Sala del Thorvaldsen, Rome, 1845, Franz Heinrich
watercolors of building interiors in the cooper–hewitt, smithsonian design museumfranz heinrich
Studies van een vissersvrouw, RP-T-1947-23, Abraham Johannes Ruytenschildt, 20 February 1815
traditional clothing of the netherlands in artabraham johannes ruytenschildt
Karikaturale scène met een boerenknaap bij een mondain gezin, RP-T-1994-108, Pieter van Loon, 1862
drawings by pieter van loon in the rijksmuseum amsterdampen and ink drawings in the rijksmuseum amsterdam
Aanbidding der herders, RP-T-1911-105, 1601
dutch 17th-century drawings in the rijksmuseum amsterdamdrawings of the adoration of the shepherds
Landschap met tekenaar, geestelijke en andere figuren, RP-T-1989-17, Abraham Teerlink, between 1786 and 1857
abraham teerlinkdrawing in art
Twee staande pratende jongemannen, RP-T-1954-483, Pieter van Loon, between 1811 and 1873
drawings by pieter van loon in the rijksmuseum amsterdamred chalk drawings in the rijksmuseum amsterdam
Open reiswagen en koets in een quasi-Hollandse straat, RP-T-1977-19, Thomas Rowlandson, between 1790 and 1827
drawings of carriagesromanticism
Boerenerf met melkende meid, RP-T-00-2217, Pieter de Goeje, between 1789 and 1859
dutch 19th-century drawings in the rijksmuseum amsterdampieter de goeje
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